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spirited away review

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details

The Genre: Fantasy/Children’s

The Format: DVD

are we there yet?

The plot: Whilst on a family outing ten year old Chihiro and her parents stumble upon an abandoned amusement park. Chihiro's parents find some food and start to eat it all, they are then transformed into giant pigs. Now Chihiro must find a way of returning her parents to human form...

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opinion

Hayao Miyazaki.

Reams have been written about the man and his works, many of them by more eloquent people than me, so I think I’ll just cover it all with 'story-teller extraordinaire'.

For, if there’s one thing Miyazaki does well, it’s tell a really good story. A good story is at the heart of all of the great works of entertainment, and that’s what his films are – great works of entertainment. I’d even venture to suggest that they’re some of the greatest works ever to be put onto celluloid.

Spirited Away is definitely no exception to this rule. Like most of Miyazaki’s output it’s essentially aimed at the children's and family audiences, but as usual it features a good mix of elements that will appeal to all.

Taking the format of a modern fairy tale, Spirited Away escorts us on a fantastical journey into the world of, well, spirits. However, at its heart, like many fairy tales, it’s really a coming of age tale that studies how the main character, Chihiro, matures from a self-centred little brat into a much nicer and more rounded person.

Chihiro must face various adversities, help her friends, and rescue her parents whilst living in a realm where the spirits have taken over an abandoned theme park. At the start of the film, Chihiro's parents are turned into pigs because they ate food intended for the spirits and Chihiro must rescue them. She is aided in this quest by Haku – a young boy who is Yubaba’s servant – who tells her to get a job working for Yubaba in the bath house she runs for the spirits.

huh?

The film features a great deal of Japan specific references and cultural elements. However, these are done in such a way that the film doesn’t alienate those members of the audience unfamiliar with these cultural references. Indeed, with the target audience being of such a young age, these elements have been introduced in such a way that, even when intricate to the story, they aren’t incomprehensible to the viewer.

However, this does mean that some of the subtle and clever references and nuances of the film will be lost on all but the most clued up of western viewers. This won’t have a detrimental affect on anyone’s enjoyment of the film, but it does reduce the story to a single level. I guess it’s a hallmark of Miyazaki's masterful story-telling then, that Spirited Away is highly enjoyable when watched at this one level.

The animation throughout is superb. Indeed, there are moments that are so realistic and beautifully observed, I found myself wondering if motion capture hadn’t been used. If you’re ever seen FF: Spirits Within I’m sure you’ll have had moments similar to this, where your brain sort of slips into believing the people are actually real ones. What makes this even more remarkable in this case is that not a single shot of the film involves CGI – it’s all hand-drawn work (though computers where of course used, especially for the colouring).

pfffffft

I think it’s in the exquisite details that this film really shines for me. My own particular favourite moments are the behaviour of the soot balls in the boiler room and the hamster/bird team. I won’t explain the latter, but the former sees the re-appearance of the dust-mite type creatures that popped up in My Neighbour Totoro (a particular favourite of mine).

The soot balls are essentially indistinct black blobs with a pair of large, white eyes. Here they are tasked with carrying lumps of coal across from the scuttle and into the furnaces that heats the water used in the bath-house. This magical element in and of itself is quite enchanting, but what makes it extra special is that the details of the soot-balls characters and movements are beautifully observed and animated.

When Chihiro helps out one of the soot-balls that is trying to carry a lump of coal that’s far too big for it, the reaction of the rest is perfect. There’s a slight pause, and then in a ripple effect occurs as the individual balls pretend to be unable to carry their loads.

i wonder what's over here?

If you watch it that’ll make more sense, but it really is very well done. You can really feel the humanity within these small lumps of fluff, and the humour is both perfectly pitched, and immaculately timed.

The only down-side to Spirited Away for me is that the fundamental plot is a little clichéd, which is why it doesn’t earn the full 5 out of 5. Whilst it does have a lot of imagination, and the tale is wonderfully told, it is lacking a smidge of originality. I say this mainly in the face of other Ghibli Miyazaki works such as Laputa and Totoro (my fave) which were all much more innovative.

If I say “Alice in Wonderland” you’ll hopefully see the problem of Spirited Away. Its basic content has been done many times before and by some masterful story-tellers.

Spirited Away is released in the west by Disney. Those familiar with the frankly appalling treatment of some of the Studio Ghibli films at the hands of this mega-corporation will probably have recoiled in horror at that. But, in this case, they’ve done a good job.

I’m quite sure this is entirely down to the contribution from John Lasseter (the guy behind Pixar) who is an immense Ghibli fan. Lasseter had overall control of the project and this especially shines through in the dub, which I wouldn’t hesitate in watching or telling others to watch.

Highly recommended.

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summary

The Summary: A beautiful, if simplistic story, immaculately told with gorgeous visuals.

The Score: 4/5

The Pictures:

(click for larger versions)

Cover

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